Thursday

A

walking with a blindfold

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Roll along on your side on your right side, vehicles roll over you rolling. Roll along on your side on your left side over soil, grass, bumps and through pond.

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The thought of getting anywhere and the thought of hanging around anywhere are ridiculous.

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moving on as a substitute for going somewhere, and passing through as a substitute for hanging around.

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passing through to defy motive and moving on to defy suspicion.

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Not walking to record the walk, not recording the walk. Walking as being, being as walking.

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RELUCTANCE

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pretending infinity

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None of what is is your decision to begin with. Each decision you make you make with what is.

Of course the writing system is supplementary, to use it alone is to escape from all it supplements – then it only escapes itself. And its media.

B is not the end

B is a location corresponding to a point of rest.
_____________________point of return.

“and its media”

IF THE WALKING BODY ESCAPES ITS USUAL ROUTINE AND CAPITALIST RELATIONS, ITS SOCIETY, TO MOVE FREELY AS CONSTRICTED BY ITS OWN LIMITATIONS AND BY ALL OF /WHAT IS/ THAT IS ALREADY DECISION UPON DECISION (ETC...) – SOMETIMES PLEASURE SOMETIMES AMBIVALENCE SOMETIMES MALCONTENT – INHALES CUT GRASS SMELL

IF THE WRITING SYSTEM ESCAPES ALL IT SUPPLEMENTS TO MOVE FREELY AS CONSTRICTED BY ITS OWN LIMITATIONS AND BY ALL OF /WHAT IS/ – THAT IS ALREADY DECISION UPON DECISION (ETC...) SOMETIMES PLEASURE SOMETIMES AMBIVALENCE SOMETIMES MALCONTENT – WRITES (THE WALKING BODY IS CAPABLE OF DIFFERENT ACTS – THE WRITING SYSTEM IS CAPABLE OF DIFFERENT EFFECTS ALL EFFECTED BY THE ACT OF WRITING) – WHAT DOES IT WRITE? WHAT MAKES IT WRITE? WHAT IN ITS WRITING GIVES PLEASURE?

THE WALKING BODY IS SIMULTANEOUSLY AFFECTED BY /WHAT IS/ THROUGH ITS ACTIVATION AND ACCESS THROUGH GLIMPSES AS A GLIMPSE OF A HOUSE IS ONLY A GLIMPSE OF ITS ARCHITECTURE – ITS CATEGORIES, ITS STYLE, ITS ARCHITECT NAMELESS, MOMENTARILY FORGOTTEN, FELT BUT UNCREDITED UNREFERENCED UNACKNOWLEDGED

THE WRITING BODY PERFORMS MULTIPLE GLIMPSES WITH EVERY LETTER AND EVERY WORD smelling (glimpsing) this fry-up is to smell (glimpse) every other smell of fry-ups real and imagined, past present and future, in their numberless variation betraying manifold circumstance and untold differences in technique, accident, ingredient, action

Where is the “FROM A” of writing?

The “FROM A” of walking was determined using a map – a tool that offered parallel points of departure to the workplace (in relation to home)

The “FROM A” of writing was determined using a *** – a tool that offered parallel points of departure to [the usual point of departure that is the usual site of language as supplement to [photography/painting/pointing socialising of the body in its usual routine and capitalist relations]]